OK, I'll admit it. When I was in school (and college and grad school) I was seriously guilty of turning in work before revising it. Sure, I would do a quick spell-check and maybe give it a once-over for grammar, but rarely did I ever roll up my sleeves and do serious revision.
Now that I have a draft of my book done, I find myself in the middle of the revision process and I totally realize why I was resistant to revision before: it's flippin' scary. This is why I was so thrilled to hear James Scott Bell speak about the revision process at the Writer's Digest Conference. I was particularly excited to attend his talk because I am a huge fan of his book The Art of War for Writers. Here are some of the sparkly nuggets I took away from this session.
Principles of Revision
1) Write hot, revise cool. Revision allows you to add rational choices and strategy to the frantic bursts of creativity that came out in the first draft. Take at least two weeks (maybe longer) after writing your draft to let it cool down before you revise.
2) You need to finish first. Nothing you write is etched in stone... you can always come back and make it better later on. The only thing you can't do is revise a blank page. Finish first.
4) Summarize your changes. Write a 2000 word summary of your draft with the new adjustments you just noted. Tip from Gabi: You can also try extracting an outline from the first draft, as a way of getting a handle on what you have written. Then adjust the outline according to the notes you made in your read-through and implement those changes in the draft.
Things to Think About in Revision
Character: The characters need to jump off the page. Here are a few exercises to help you with this:
- Try creating some "off-screen" scenes where you see what the character would do in crazy situations.
- Do the "opposite exercise" where you have the character do the opposite of what you'd expect, then figure out why they did that.
Opening: As Bell put it: "Cut out the parts that people skip." Start the story where things get interesting. Also, make trouble for your characters from the start. Readers become engaged with the characters at the first sign of conflict.
Dialogue: Compress the dialogue and extend the action. Get rid of exposition and ramp up the conflict. Even if characters are on the "same side" they should still have some kind of conflict between them.
Ultimately, revision is where you add the strategic element to your story. Now that you know who the characters are and what's going to happen, you can plant foreshadowing moments and hint at themes that will be important later on. You can't do all this in your first draft because during that stage of the process you don't know your characters or the story completely. It's only once you know the ending and who your characters are at their core that you can manipulate the story in a strategic way.
Much as my brain understands all the amazing benefits of revision, I still find myself having trouble because I keep psyching myself out.
Help! Do you have any revision tips I can borrow?